Storm in a copyright teacup

The Indian Performing Right Society is the world’s fastest-growing copyright society. It’s also suffering penny-pinching streaming platforms, and a mutiny.

Before you reach the end of this sentence, go to the music streaming platform of your choice, tap on your last five tracks, and fish for the song credits.

Here’s what it looks like on Spotify:

…and here’s what it looks like on YouTube:

YouTube, for lack of a better term, is all over the place. Sometimes you see songwriting credits, sometimes you don’t. But the takeaway here is that it takes a battalion to make a song. The artist or singer isn’t always the writer or composer, which is why you have music or performance rights societies to give …

Author

Roshni P. Nair

Roshni is a features writer and former editor of The Morning Context's Chaos team. Her career spans The Ken, Reuters, the Hindustan Times and DNA. She is a recipient of the UNFPA Laadli award and was shortlisted for the RedInk Awards 2016 for her story on Mumbai’s leprosy colonies. Her far-flung ideas would sometimes drive our editor-in-chief Ashish up the wall, but he wouldn’t have had it any other way (even if he didn’t admit it).

roshni@mailtmc.com