Where is the money in podcasting?12 March 2020.In the 2000s, it used to be “I have a blog.” Now, it’s “I host a podcast.” India is finally catching up to the global podcast resurgence of recent years. Freelance journalists, subject matter experts, stand-up comedians, social media influencers—everyone wants in. The optimism that podcasting will be the next big thing in a content […]
Frankie Huang
Disney’s new China conundrumShanghai29 January 2020.It is not an exaggeration to say that Disney is a household name in China and synonymous with childhood and sweet nostalgia. Since Mickey Mouse’s first appearance on CCTV in 1986, Disney characters and their stories have been an important part of the collective childhood memory of Chinese people. Iconic characters like Donald Duck and Winnie the Pooh made deep lasting impressions, partially because there were few domestic creativations that were as sophisticated and memorable in those early years after the end of the Cultural Revolution. Despite the inherently foreign Americanness Disney characters exuded, they became familiar and beloved friends to Chinese children.
Disney came to be China’s undisputed “guardian of childhood” and arguably the most beloved Western brand in the entire country, not just for children, but also young adults like Steve and Dalila, who tend to be highly selective when it comes to brand loyalty.
But as tension mounts between the US and China over trade, politics and human rights, it’s increasingly challenging for prominent brands like Disney to stay clear of these issues. In fact, no foreign brand in China can avoid contending with an unyielding authoritarian government more determined than ever to control every narrative on China, as well as consumers whose appetite for foreign goods are increasingly tempered by nationalistic pride.
Can the House of Mouse accomplish this without tarnishing its potently wholesome brand image?
Harveen Ahluwalia
Heard of the Smule symphony?25 September 2019.No, we haven’t misspelt Smile. We mean Smule, a karaoke application which is the dark horse of the Indian digital music ecosystem. The US-based app entered India in 2016. And in just two years, Smule has become the top-grossing audio application, beating streaming apps like Times Internet-owned Gaana (No. 3), Reliance Industries’ JioSaavn (No. 4) […]
